In collaboration with designer PAOLO LOMAZZI, Zanotta has reissued the famous cocoon armchair with three overlapping cushions, designed in 1984 by the BY DE PAS, D'URBINO, LOMAZZI TRIO, updating its shape and materials. CAMPIELLO + is a swivel armchair ideal for residential and commercial spaces, characterised by a rigid, curved and wide backrest that envelops and protects, offering privacy and comfort-
In collaboration with designer PAOLO LOMAZZI, Zanotta has reissued the famous cocoon armchair with three overlapping cushions, designed in 1984 by the BY DE PAS, D’URBINO, LOMAZZI TRIO, updating its shape and materials. CAMPIELLO + is a swivel armchair ideal for residential and commercial spaces, characterised by a rigid, curved and wide backrest that envelops and protects, offering privacy and comfort-
KARELIA armchair by LIISI BECKMANN, designed in 1966.
KARELIA armchair by LIISI BECKMANN, designed in 1966.
ARMCHAIR AND FOOTSTOOL GENNI BY GABRIELE MUCCHI 1935
ARMCHAIR AND FOOTSTOOL GENNI BY GABRIELE MUCCHI 1935
ARDEA ARMCHAIR BY CARLO MOLLINO 1946.ARDEA CM IS A BERGÈRE ARMCHAIR CREATED FOR CONVERSATION, A TRIBUTE TO THE ONE DESIGNED BY MOLLINO IN 1946 FOR MINOLA HOUSE. THE BACKREST IS FOLDED INWARDS, SO AS TO CREATE A HEADREST WITH
ARDEA ARMCHAIR BY CARLO MOLLINO 1946.ARDEA CM IS A BERGÈRE ARMCHAIR CREATED FOR CONVERSATION, A TRIBUTE TO THE ONE DESIGNED BY MOLLINO IN 1946 FOR MINOLA HOUSE. THE BACKREST IS FOLDED INWARDS, SO AS TO CREATE A HEADREST WITH
ARMCHAIR MAGGIOLINA BY MARCO ZANUSO 1947. STARTING FROM THE HYPOTHESIS OF AN INEXPENSIVE, DISMANTABLE ARMCHAIR, IT WAS DESIGNED BY MARCO ZANUSO TOWARDS THE END OF THE 1940S FOR A COMPETITION HELD BY THE MOMA OF NEW YORK. IT HAD A STRUCTURE OF CURVED STEEL TUBING FROM WHICH A BURLAP ‘BAG’ WAS HUNG, THE ‘POCKETS’ OF WHICH CONTAINED TWO PANELS OF PLYWOOD, INSERTED TO SUPPORT THE TWO PADDED CUSHIONS USED AS SEAT AND BACKREST.
ARMCHAIR MAGGIOLINA BY MARCO ZANUSO 1947. STARTING FROM THE HYPOTHESIS OF AN INEXPENSIVE, DISMANTABLE ARMCHAIR, IT WAS DESIGNED BY MARCO ZANUSO TOWARDS THE END OF THE 1940S FOR A COMPETITION HELD BY THE MOMA OF NEW YORK. IT HAD A STRUCTURE OF CURVED STEEL TUBING FROM WHICH A BURLAP ‘BAG’ WAS HUNG, THE ‘POCKETS’ OF WHICH CONTAINED TWO PANELS OF PLYWOOD, INSERTED TO SUPPORT THE TWO PADDED CUSHIONS USED AS SEAT AND BACKREST.
ARMCHAIR GILDA BY CARLO MOLLINO 1953.GILDA, AN EVOCATIVE NAME OF FEMININITY AND SENSUALITY.A RECLINING ARMCHAIR WITH FOUR POSITIONS, WHICH REPRESENTS MOLLINO'S ECLECTIC STYLE.THE FRONT LEGS ARE JOINED TO THE REAR ONES WITH A SINGLE PIECE OF SOLID WOOD WHERE THE WELCOMING ARMREST TAKES SHAPE, SIMILAR TO A LEAF, LARGE ENOUGH TO HOLD A BOOK OR A PAIR OF GLASSES. THE SEAT AND BACKREST SEEK ERGONOMICS AND COMFORT.
ARMCHAIR GILDA BY CARLO MOLLINO 1953.GILDA, AN EVOCATIVE NAME OF FEMININITY AND SENSUALITY.A RECLINING ARMCHAIR WITH FOUR POSITIONS, WHICH REPRESENTS MOLLINO’S ECLECTIC STYLE.THE FRONT LEGS ARE JOINED TO THE REAR ONES WITH A SINGLE PIECE OF SOLID WOOD WHERE THE WELCOMING ARMREST TAKES SHAPE, SIMILAR TO A LEAF, LARGE ENOUGH TO HOLD A BOOK OR A PAIR OF GLASSES. THE SEAT AND BACKREST SEEK ERGONOMICS AND COMFORT.
ARMCHAIR GILDA BY CARLO MOLLINO 1953
ARMCHAIR GILDA BY CARLO MOLLINO 1953
ARMCHAIR OLIVIA BY CONCTANCE GUISSET 2019
ARMCHAIR OLIVIA BY CONCTANCE GUISSET 2019
ARMCHAIR LOUISE BY PHILIPPE NIGRO 2018.THE HARMONY OF SOLIDS AND VOIDS IN THE ALTERNATION BETWEEN SIMPLE WOODEN ELEMENTS AND THE FABRIC OR LEATHER COVER: LOUISE IS AN ETHEREAL STRUCTURE, WHERE YOU CAN SIT AND LET YOURSELF BE INSPIRED BY INTERESTING AND CREATIVE READINGS. LOUISE WAS BORN IN 2018 FROM PHILIPPE NIGRO'S RESEARCH ON STRUCTURE, MINIMALISM AND COMFORT.
ARMCHAIR LOUISE BY PHILIPPE NIGRO 2018.THE HARMONY OF SOLIDS AND VOIDS IN THE ALTERNATION BETWEEN SIMPLE WOODEN ELEMENTS AND THE FABRIC OR LEATHER COVER: LOUISE IS AN ETHEREAL STRUCTURE, WHERE YOU CAN SIT AND LET YOURSELF BE INSPIRED BY INTERESTING AND CREATIVE READINGS. LOUISE WAS BORN IN 2018 FROM PHILIPPE NIGRO’S RESEARCH ON STRUCTURE, MINIMALISM AND COMFORT.
ARMCHAIR JUDY BY FRANK RETTENBACHER 2017
ARMCHAIR JUDY BY FRANK RETTENBACHER 2017
ARMCHAIR AROM BY NOÉ DUCHAFOUR LAWRANCE 2014 , SOFA WILLIAM BY DAMIAN WILLIAMSON 2010, 2015
ARMCHAIR AROM BY NOÉ DUCHAFOUR LAWRANCE 2014 , SOFA WILLIAM BY DAMIAN WILLIAMSON 2010, 2015
ARMCHAIR CALLA BY NOÉ DUCHAUFOUR LAWRANCE 2010.BASE ON CASTORS OR FIXED WITH FEET. STEEL FRAME. UPHOLSTERY WITH SELF-EXTINGUISHING POLYURETHANE FOAM/HEAT-BOUND POLYESTER FIBRE WITH ELASTIC STRIPS SUSPENSION. REMOVABLE FABRIC OR LEATHER COVER. THE EXTERNAL BODY CAN EVEN BE COVERED WITH COWHIDE 95 COMBINED WITH FABRIC OR LEATHER. THE ARMCHAIR IS AVAILABLE IN TWO DIFFERENT HEIGHTS ABOVE GROUND LEVEL: HIGH 873/A WITH CASTORS, LOW 873/B WITH FEET.
ARMCHAIR CALLA BY NOÉ DUCHAUFOUR LAWRANCE 2010.BASE ON CASTORS OR FIXED WITH FEET. STEEL FRAME. UPHOLSTERY WITH SELF-EXTINGUISHING POLYURETHANE FOAM/HEAT-BOUND POLYESTER FIBRE WITH ELASTIC STRIPS SUSPENSION. REMOVABLE FABRIC OR LEATHER COVER. THE EXTERNAL BODY CAN EVEN BE COVERED WITH COWHIDE 95 COMBINED WITH FABRIC OR LEATHER. THE ARMCHAIR IS AVAILABLE IN TWO DIFFERENT HEIGHTS ABOVE GROUND LEVEL: HIGH 873/A WITH CASTORS, LOW 873/B WITH FEET.
ARMCHAIRS JUDY BY FRANK RETTNBACHER 2017,SMALL TABLE NIOBE 648 BY FREDERICA CAPITANI 2016,SOFA FLAMINGO BY DAMIAN WILLIAMSON 2017
ARMCHAIRS JUDY BY FRANK RETTNBACHER 2017,SMALL TABLE NIOBE 648 BY FREDERICA CAPITANI 2016,SOFA FLAMINGO BY DAMIAN WILLIAMSON 2017
ARMCHAIRS KENT by LUDOVICA+ ROBERTO PALOMBA 2013, SOFA ALFA BY EMAF PROGETTI 1999, FOLDIN G CLOTHES -STAND SCIANGAI BY DE PAS, D'URBINO, LOMAZZI -1973
ARMCHAIRS KENT by LUDOVICA+ ROBERTO PALOMBA 2013, SOFA ALFA BY EMAF PROGETTI 1999, FOLDIN G CLOTHES -STAND SCIANGAI BY DE PAS, D’URBINO, LOMAZZI -1973
Chair SACCO by GATTI, PAOLINI, TEODORO, designed in 1968
Chair SACCO by GATTI, PAOLINI, TEODORO, designed in 1968
DERBY armchair by NOÉ DUCHAUFOUR LAWRENCE, designed in 2010. Armchair/bergère, pouf. Armchair with steel base, swivel or fixed with feet and stiff polyurethane external body covered with cowhide 95. Upholstery of internal body and pouf in polyurethane/ heat-bound polyester fibre with elastic strips suspension. Removable fabric or leather cover. Pouf steel frame.
DERBY armchair by NOÉ DUCHAUFOUR LAWRENCE, designed in 2010. Armchair/bergère, pouf. Armchair with steel base, swivel or fixed with feet and stiff polyurethane external body covered with cowhide 95. Upholstery of internal body and pouf in polyurethane/ heat-bound polyester fibre with elastic strips suspension. Removable fabric or leather cover. Pouf steel frame.
In collaboration with designer PAOLO LOMAZZI, Zanotta has reissued the famous cocoon armchair with three overlapping cushions, designed in 1984 by the BY DE PAS, D'URBINO, LOMAZZI TRIO, updating its shape and materials. CAMPIELLO + is a swivel armchair ideal for residential and commercial spaces, characterised by a rigid, curved and wide backrest that envelops and protects, offering privacy and comfort-
In collaboration with designer PAOLO LOMAZZI, Zanotta has reissued the famous cocoon armchair with three overlapping cushions, designed in 1984 by the BY DE PAS, D’URBINO, LOMAZZI TRIO, updating its shape and materials. CAMPIELLO + is a swivel armchair ideal for residential and commercial spaces, characterised by a rigid, curved and wide backrest that envelops and protects, offering privacy and comfort-
KARELIA armchair by LIISI BECKMANN, designed in 1966.
KARELIA armchair by LIISI BECKMANN, designed in 1966.
ARMCHAIR AND FOOTSTOOL GENNI BY GABRIELE MUCCHI 1935
ARMCHAIR AND FOOTSTOOL GENNI BY GABRIELE MUCCHI 1935
ARDEA ARMCHAIR BY CARLO MOLLINO 1946.ARDEA CM IS A BERGÈRE ARMCHAIR CREATED FOR CONVERSATION, A TRIBUTE TO THE ONE DESIGNED BY MOLLINO IN 1946 FOR MINOLA HOUSE. THE BACKREST IS FOLDED INWARDS, SO AS TO CREATE A HEADREST WITH
ARDEA ARMCHAIR BY CARLO MOLLINO 1946.ARDEA CM IS A BERGÈRE ARMCHAIR CREATED FOR CONVERSATION, A TRIBUTE TO THE ONE DESIGNED BY MOLLINO IN 1946 FOR MINOLA HOUSE. THE BACKREST IS FOLDED INWARDS, SO AS TO CREATE A HEADREST WITH
ARMCHAIR MAGGIOLINA BY MARCO ZANUSO 1947. STARTING FROM THE HYPOTHESIS OF AN INEXPENSIVE, DISMANTABLE ARMCHAIR, IT WAS DESIGNED BY MARCO ZANUSO TOWARDS THE END OF THE 1940S FOR A COMPETITION HELD BY THE MOMA OF NEW YORK. IT HAD A STRUCTURE OF CURVED STEEL TUBING FROM WHICH A BURLAP ‘BAG’ WAS HUNG, THE ‘POCKETS’ OF WHICH CONTAINED TWO PANELS OF PLYWOOD, INSERTED TO SUPPORT THE TWO PADDED CUSHIONS USED AS SEAT AND BACKREST.
ARMCHAIR MAGGIOLINA BY MARCO ZANUSO 1947. STARTING FROM THE HYPOTHESIS OF AN INEXPENSIVE, DISMANTABLE ARMCHAIR, IT WAS DESIGNED BY MARCO ZANUSO TOWARDS THE END OF THE 1940S FOR A COMPETITION HELD BY THE MOMA OF NEW YORK. IT HAD A STRUCTURE OF CURVED STEEL TUBING FROM WHICH A BURLAP ‘BAG’ WAS HUNG, THE ‘POCKETS’ OF WHICH CONTAINED TWO PANELS OF PLYWOOD, INSERTED TO SUPPORT THE TWO PADDED CUSHIONS USED AS SEAT AND BACKREST.
ARMCHAIR GILDA BY CARLO MOLLINO 1953.GILDA, AN EVOCATIVE NAME OF FEMININITY AND SENSUALITY.A RECLINING ARMCHAIR WITH FOUR POSITIONS, WHICH REPRESENTS MOLLINO'S ECLECTIC STYLE.THE FRONT LEGS ARE JOINED TO THE REAR ONES WITH A SINGLE PIECE OF SOLID WOOD WHERE THE WELCOMING ARMREST TAKES SHAPE, SIMILAR TO A LEAF, LARGE ENOUGH TO HOLD A BOOK OR A PAIR OF GLASSES. THE SEAT AND BACKREST SEEK ERGONOMICS AND COMFORT.
ARMCHAIR GILDA BY CARLO MOLLINO 1953.GILDA, AN EVOCATIVE NAME OF FEMININITY AND SENSUALITY.A RECLINING ARMCHAIR WITH FOUR POSITIONS, WHICH REPRESENTS MOLLINO’S ECLECTIC STYLE.THE FRONT LEGS ARE JOINED TO THE REAR ONES WITH A SINGLE PIECE OF SOLID WOOD WHERE THE WELCOMING ARMREST TAKES SHAPE, SIMILAR TO A LEAF, LARGE ENOUGH TO HOLD A BOOK OR A PAIR OF GLASSES. THE SEAT AND BACKREST SEEK ERGONOMICS AND COMFORT.
ARMCHAIR GILDA BY CARLO MOLLINO 1953
ARMCHAIR GILDA BY CARLO MOLLINO 1953
ARMCHAIR OLIVIA BY CONCTANCE GUISSET 2019
ARMCHAIR OLIVIA BY CONCTANCE GUISSET 2019
ARMCHAIR LOUISE BY PHILIPPE NIGRO 2018.THE HARMONY OF SOLIDS AND VOIDS IN THE ALTERNATION BETWEEN SIMPLE WOODEN ELEMENTS AND THE FABRIC OR LEATHER COVER: LOUISE IS AN ETHEREAL STRUCTURE, WHERE YOU CAN SIT AND LET YOURSELF BE INSPIRED BY INTERESTING AND CREATIVE READINGS. LOUISE WAS BORN IN 2018 FROM PHILIPPE NIGRO'S RESEARCH ON STRUCTURE, MINIMALISM AND COMFORT.
ARMCHAIR LOUISE BY PHILIPPE NIGRO 2018.THE HARMONY OF SOLIDS AND VOIDS IN THE ALTERNATION BETWEEN SIMPLE WOODEN ELEMENTS AND THE FABRIC OR LEATHER COVER: LOUISE IS AN ETHEREAL STRUCTURE, WHERE YOU CAN SIT AND LET YOURSELF BE INSPIRED BY INTERESTING AND CREATIVE READINGS. LOUISE WAS BORN IN 2018 FROM PHILIPPE NIGRO’S RESEARCH ON STRUCTURE, MINIMALISM AND COMFORT.
ARMCHAIR JUDY BY FRANK RETTENBACHER 2017
ARMCHAIR JUDY BY FRANK RETTENBACHER 2017
ARMCHAIR AROM BY NOÉ DUCHAFOUR LAWRANCE 2014 , SOFA WILLIAM BY DAMIAN WILLIAMSON 2010, 2015
ARMCHAIR AROM BY NOÉ DUCHAFOUR LAWRANCE 2014 , SOFA WILLIAM BY DAMIAN WILLIAMSON 2010, 2015
ARMCHAIR CALLA BY NOÉ DUCHAUFOUR LAWRANCE 2010.BASE ON CASTORS OR FIXED WITH FEET. STEEL FRAME. UPHOLSTERY WITH SELF-EXTINGUISHING POLYURETHANE FOAM/HEAT-BOUND POLYESTER FIBRE WITH ELASTIC STRIPS SUSPENSION. REMOVABLE FABRIC OR LEATHER COVER. THE EXTERNAL BODY CAN EVEN BE COVERED WITH COWHIDE 95 COMBINED WITH FABRIC OR LEATHER. THE ARMCHAIR IS AVAILABLE IN TWO DIFFERENT HEIGHTS ABOVE GROUND LEVEL: HIGH 873/A WITH CASTORS, LOW 873/B WITH FEET.
ARMCHAIR CALLA BY NOÉ DUCHAUFOUR LAWRANCE 2010.BASE ON CASTORS OR FIXED WITH FEET. STEEL FRAME. UPHOLSTERY WITH SELF-EXTINGUISHING POLYURETHANE FOAM/HEAT-BOUND POLYESTER FIBRE WITH ELASTIC STRIPS SUSPENSION. REMOVABLE FABRIC OR LEATHER COVER. THE EXTERNAL BODY CAN EVEN BE COVERED WITH COWHIDE 95 COMBINED WITH FABRIC OR LEATHER. THE ARMCHAIR IS AVAILABLE IN TWO DIFFERENT HEIGHTS ABOVE GROUND LEVEL: HIGH 873/A WITH CASTORS, LOW 873/B WITH FEET.
ARMCHAIRS JUDY BY FRANK RETTNBACHER 2017,SMALL TABLE NIOBE 648 BY FREDERICA CAPITANI 2016,SOFA FLAMINGO BY DAMIAN WILLIAMSON 2017
ARMCHAIRS JUDY BY FRANK RETTNBACHER 2017,SMALL TABLE NIOBE 648 BY FREDERICA CAPITANI 2016,SOFA FLAMINGO BY DAMIAN WILLIAMSON 2017
ARMCHAIRS KENT by LUDOVICA+ ROBERTO PALOMBA 2013, SOFA ALFA BY EMAF PROGETTI 1999, FOLDIN G CLOTHES -STAND SCIANGAI BY DE PAS, D'URBINO, LOMAZZI -1973
ARMCHAIRS KENT by LUDOVICA+ ROBERTO PALOMBA 2013, SOFA ALFA BY EMAF PROGETTI 1999, FOLDIN G CLOTHES -STAND SCIANGAI BY DE PAS, D’URBINO, LOMAZZI -1973
Chair SACCO by GATTI, PAOLINI, TEODORO, designed in 1968
Chair SACCO by GATTI, PAOLINI, TEODORO, designed in 1968
DERBY armchair by NOÉ DUCHAUFOUR LAWRENCE, designed in 2010. Armchair/bergère, pouf. Armchair with steel base, swivel or fixed with feet and stiff polyurethane external body covered with cowhide 95. Upholstery of internal body and pouf in polyurethane/ heat-bound polyester fibre with elastic strips suspension. Removable fabric or leather cover. Pouf steel frame.
DERBY armchair by NOÉ DUCHAUFOUR LAWRENCE, designed in 2010. Armchair/bergère, pouf. Armchair with steel base, swivel or fixed with feet and stiff polyurethane external body covered with cowhide 95. Upholstery of internal body and pouf in polyurethane/ heat-bound polyester fibre with elastic strips suspension. Removable fabric or leather cover. Pouf steel frame.
In collaboration with designer PAOLO LOMAZZI, Zanotta has reissued the famous cocoon armchair with three overlapping cushions, designed in 1984 by the BY DE PAS, D'URBINO, LOMAZZI TRIO, updating its shape and materials. CAMPIELLO + is a swivel armchair ideal for residential and commercial spaces, characterised by a rigid, curved and wide backrest that envelops and protects, offering privacy and comfort-
KARELIA armchair by LIISI BECKMANN, designed in 1966.
ARMCHAIR AND FOOTSTOOL GENNI BY GABRIELE MUCCHI 1935
ARDEA ARMCHAIR BY CARLO MOLLINO 1946.ARDEA CM IS A BERGÈRE ARMCHAIR CREATED FOR CONVERSATION, A TRIBUTE TO THE ONE DESIGNED BY MOLLINO IN 1946 FOR MINOLA HOUSE. THE BACKREST IS FOLDED INWARDS, SO AS TO CREATE A HEADREST WITH
ARMCHAIR MAGGIOLINA BY MARCO ZANUSO 1947. STARTING FROM THE HYPOTHESIS OF AN INEXPENSIVE, DISMANTABLE ARMCHAIR, IT WAS DESIGNED BY MARCO ZANUSO TOWARDS THE END OF THE 1940S FOR A COMPETITION HELD BY THE MOMA OF NEW YORK. IT HAD A STRUCTURE OF CURVED STEEL TUBING FROM WHICH A BURLAP ‘BAG’ WAS HUNG, THE ‘POCKETS’ OF WHICH CONTAINED TWO PANELS OF PLYWOOD, INSERTED TO SUPPORT THE TWO PADDED CUSHIONS USED AS SEAT AND BACKREST.
ARMCHAIR GILDA BY CARLO MOLLINO 1953.GILDA, AN EVOCATIVE NAME OF FEMININITY AND SENSUALITY.A RECLINING ARMCHAIR WITH FOUR POSITIONS, WHICH REPRESENTS MOLLINO'S ECLECTIC STYLE.THE FRONT LEGS ARE JOINED TO THE REAR ONES WITH A SINGLE PIECE OF SOLID WOOD WHERE THE WELCOMING ARMREST TAKES SHAPE, SIMILAR TO A LEAF, LARGE ENOUGH TO HOLD A BOOK OR A PAIR OF GLASSES. THE SEAT AND BACKREST SEEK ERGONOMICS AND COMFORT.
ARMCHAIR GILDA BY CARLO MOLLINO 1953
ARMCHAIR OLIVIA BY CONCTANCE GUISSET 2019
ARMCHAIR LOUISE BY PHILIPPE NIGRO 2018.THE HARMONY OF SOLIDS AND VOIDS IN THE ALTERNATION BETWEEN SIMPLE WOODEN ELEMENTS AND THE FABRIC OR LEATHER COVER: LOUISE IS AN ETHEREAL STRUCTURE, WHERE YOU CAN SIT AND LET YOURSELF BE INSPIRED BY INTERESTING AND CREATIVE READINGS. LOUISE WAS BORN IN 2018 FROM PHILIPPE NIGRO'S RESEARCH ON STRUCTURE, MINIMALISM AND COMFORT.
ARMCHAIR JUDY BY FRANK RETTENBACHER 2017
ARMCHAIR AROM BY NOÉ DUCHAFOUR LAWRANCE 2014 , SOFA WILLIAM BY DAMIAN WILLIAMSON 2010, 2015
ARMCHAIR CALLA BY NOÉ DUCHAUFOUR LAWRANCE 2010.BASE ON CASTORS OR FIXED WITH FEET. STEEL FRAME. UPHOLSTERY WITH SELF-EXTINGUISHING POLYURETHANE FOAM/HEAT-BOUND POLYESTER FIBRE WITH ELASTIC STRIPS SUSPENSION. REMOVABLE FABRIC OR LEATHER COVER. THE EXTERNAL BODY CAN EVEN BE COVERED WITH COWHIDE 95 COMBINED WITH FABRIC OR LEATHER. THE ARMCHAIR IS AVAILABLE IN TWO DIFFERENT HEIGHTS ABOVE GROUND LEVEL: HIGH 873/A WITH CASTORS, LOW 873/B WITH FEET.
ARMCHAIRS JUDY BY FRANK RETTNBACHER 2017,SMALL TABLE NIOBE 648 BY FREDERICA CAPITANI 2016,SOFA FLAMINGO BY DAMIAN WILLIAMSON 2017
ARMCHAIRS KENT by LUDOVICA+ ROBERTO PALOMBA 2013, SOFA ALFA BY EMAF PROGETTI 1999, FOLDIN G CLOTHES -STAND SCIANGAI BY DE PAS, D'URBINO, LOMAZZI -1973
Chair SACCO by GATTI, PAOLINI, TEODORO, designed in 1968
DERBY armchair by NOÉ DUCHAUFOUR LAWRENCE, designed in 2010. Armchair/bergère, pouf. Armchair with steel base, swivel or fixed with feet and stiff polyurethane external body covered with cowhide 95. Upholstery of internal body and pouf in polyurethane/ heat-bound polyester fibre with elastic strips suspension. Removable fabric or leather cover. Pouf steel frame.

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