CLUB 1910 armchair designed by JOSEF HOFFMANN’S.
CLUB 1910 armchair designed by JOSEF HOFFMANN’S.
ANDES armchair by LUCA NICHETTO.
ANDES armchair by LUCA NICHETTO.
ANDES armchair by LUCA NICHETTO. Change of perspective in the ANDES product family:LUCA NICHETTO's inviting armchair receives a star-shaped, swivel base and thus shows itself from a completely new design side. The rotary cross with smooth back function makes it a highly communicative ANDES representative, who visually walks like a chameleon between the moon and a straight line.
ANDES armchair by LUCA NICHETTO. Change of perspective in the ANDES product family:LUCA NICHETTO’s inviting armchair receives a star-shaped, swivel base and thus shows itself from a completely new design side. The rotary cross with smooth back function makes it a highly communicative ANDES representative, who visually walks like a chameleon between the moon and a straight line.
VUELTA High-Back armchair by designed JAIME HAYON.Eclectic, exciting, Mediterranean Baroque – and yet wonderfully timeless. These are the characteristics that define the eye-catching style brought into being by the playful collaboration between Spanish artist and designer JAIME HAYON and Austrian furniture maker Wittmann.
VUELTA High-Back armchair by designed JAIME HAYON.Eclectic, exciting, Mediterranean Baroque – and yet wonderfully timeless. These are the characteristics that define the eye-catching style brought into being by the playful collaboration between Spanish artist and designer JAIME HAYON and Austrian furniture maker Wittmann.
CONTESSA 1956 High-Back Chair. The original was the first modern piece of furniture produced by Wittmann after the war: a “sporty piece” raked sharply backwards and firmly upholstered like a sports car seat. All of the experience built up by the manufacturer over the past 60 years – as well as state-of-the art technology and materials – went into developing this modern-day reedition.
CONTESSA 1956 High-Back Chair. The original was the first modern piece of furniture produced by Wittmann after the war: a “sporty piece” raked sharply backwards and firmly upholstered like a sports car seat. All of the experience built up by the manufacturer over the past 60 years – as well as state-of-the art technology and materials – went into developing this modern-day reedition.
MERWYN lounge chair by SEBASTIAN HERKNER. The shell that SEBASTIAN HERKNER gives this quality core espouses a similar blend of traditional and contemporary strengths: the shape of the chair and sofa stirs up associations with classic armchairs and canapés. The precise upholstery is positioned above delicate, almost fragile-looking legs. By contrast, the piece’s modern, pared-down shape and thoroughly stable structure – along with its pleasingly coherent proportions – is a product of the complexity of knowledge and skill that goes into innovative design ideas.
MERWYN lounge chair by SEBASTIAN HERKNER. The shell that SEBASTIAN HERKNER gives this quality core espouses a similar blend of traditional and contemporary strengths: the shape of the chair and sofa stirs up associations with classic armchairs and canapés. The precise upholstery is positioned above delicate, almost fragile-looking legs. By contrast, the piece’s modern, pared-down shape and thoroughly stable structure – along with its pleasingly coherent proportions – is a product of the complexity of knowledge and skill that goes into innovative design ideas.
CLUB 1910 armchair designed by JOSEF HOFFMANN’S.
CLUB 1910 armchair designed by JOSEF HOFFMANN’S.
ANDES armchair by LUCA NICHETTO.
ANDES armchair by LUCA NICHETTO.
ANDES armchair by LUCA NICHETTO. Change of perspective in the ANDES product family:LUCA NICHETTO's inviting armchair receives a star-shaped, swivel base and thus shows itself from a completely new design side. The rotary cross with smooth back function makes it a highly communicative ANDES representative, who visually walks like a chameleon between the moon and a straight line.
ANDES armchair by LUCA NICHETTO. Change of perspective in the ANDES product family:LUCA NICHETTO’s inviting armchair receives a star-shaped, swivel base and thus shows itself from a completely new design side. The rotary cross with smooth back function makes it a highly communicative ANDES representative, who visually walks like a chameleon between the moon and a straight line.
VUELTA High-Back armchair by designed JAIME HAYON.Eclectic, exciting, Mediterranean Baroque – and yet wonderfully timeless. These are the characteristics that define the eye-catching style brought into being by the playful collaboration between Spanish artist and designer JAIME HAYON and Austrian furniture maker Wittmann.
VUELTA High-Back armchair by designed JAIME HAYON.Eclectic, exciting, Mediterranean Baroque – and yet wonderfully timeless. These are the characteristics that define the eye-catching style brought into being by the playful collaboration between Spanish artist and designer JAIME HAYON and Austrian furniture maker Wittmann.
CONTESSA 1956 High-Back Chair. The original was the first modern piece of furniture produced by Wittmann after the war: a “sporty piece” raked sharply backwards and firmly upholstered like a sports car seat. All of the experience built up by the manufacturer over the past 60 years – as well as state-of-the art technology and materials – went into developing this modern-day reedition.
CONTESSA 1956 High-Back Chair. The original was the first modern piece of furniture produced by Wittmann after the war: a “sporty piece” raked sharply backwards and firmly upholstered like a sports car seat. All of the experience built up by the manufacturer over the past 60 years – as well as state-of-the art technology and materials – went into developing this modern-day reedition.
MERWYN lounge chair by SEBASTIAN HERKNER. The shell that SEBASTIAN HERKNER gives this quality core espouses a similar blend of traditional and contemporary strengths: the shape of the chair and sofa stirs up associations with classic armchairs and canapés. The precise upholstery is positioned above delicate, almost fragile-looking legs. By contrast, the piece’s modern, pared-down shape and thoroughly stable structure – along with its pleasingly coherent proportions – is a product of the complexity of knowledge and skill that goes into innovative design ideas.
MERWYN lounge chair by SEBASTIAN HERKNER. The shell that SEBASTIAN HERKNER gives this quality core espouses a similar blend of traditional and contemporary strengths: the shape of the chair and sofa stirs up associations with classic armchairs and canapés. The precise upholstery is positioned above delicate, almost fragile-looking legs. By contrast, the piece’s modern, pared-down shape and thoroughly stable structure – along with its pleasingly coherent proportions – is a product of the complexity of knowledge and skill that goes into innovative design ideas.
CLUB 1910 armchair designed by JOSEF HOFFMANN’S.
ANDES armchair by LUCA NICHETTO.
ANDES armchair by LUCA NICHETTO. Change of perspective in the ANDES product family:LUCA NICHETTO's inviting armchair receives a star-shaped, swivel base and thus shows itself from a completely new design side. The rotary cross with smooth back function makes it a highly communicative ANDES representative, who visually walks like a chameleon between the moon and a straight line.
VUELTA High-Back armchair by designed JAIME HAYON.Eclectic, exciting, Mediterranean Baroque – and yet wonderfully timeless. These are the characteristics that define the eye-catching style brought into being by the playful collaboration between Spanish artist and designer JAIME HAYON and Austrian furniture maker Wittmann.
CONTESSA 1956 High-Back Chair. The original was the first modern piece of furniture produced by Wittmann after the war: a “sporty piece” raked sharply backwards and firmly upholstered like a sports car seat. All of the experience built up by the manufacturer over the past 60 years – as well as state-of-the art technology and materials – went into developing this modern-day reedition.
MERWYN lounge chair by SEBASTIAN HERKNER. The shell that SEBASTIAN HERKNER gives this quality core espouses a similar blend of traditional and contemporary strengths: the shape of the chair and sofa stirs up associations with classic armchairs and canapés. The precise upholstery is positioned above delicate, almost fragile-looking legs. By contrast, the piece’s modern, pared-down shape and thoroughly stable structure – along with its pleasingly coherent proportions – is a product of the complexity of knowledge and skill that goes into innovative design ideas.

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